Cereal, Graffiti, Water, dream image is possible (claimed to be impossible), money worse then kid, letters, three parts, fish, dog picture, unhappy resignation, career growth, money, taxes, crying brother, red sweater, pretend to be blind, leave the light on, car wash (over and over), driving accident, sugar on cereal.

Haneke’s “Seventh Continent” is a haunting portrayal of a family’s descent into nihilistic despair. The film begins as an ordinary family drama, with a seemingly happy middle-class family going about their daily routine. However, as the film progresses, we see the family slowly unravel, with each member becoming increasingly detached from one another and the world around them.

Haneke masterfully uses long takes and static camera shots to create a sense of detachment and alienation, emphasizing the emotional distance between the characters. The film’s muted color palette and sparse use of music only add to the sense of bleakness and despair.

Despite its difficult subject matter, “Seventh Continent” is a beautifully crafted film that forces its audience to confront uncomfortable truths about modern life. Haneke’s unflinching exploration of the human condition is both challenging and rewarding, making “Seventh Continent” a must-see for fans of thought-provoking cinema.