Tag: Music

  • Second Best Song Writing Duo

    1. Gahan / Gore
    2. Hunter / Garcia
    3. Morrissey / Marr
    4. John / Taupin
    5. Strummer / Jones
    6. Page / Plant
    7. Jagger / Richards
    8. Simon / Garfunkel
    9. Bono / Edge
    10. Townsend/ Daltry

  • Pandora

    1. Hedwig and the Angry Itch
    2. Charlie Parker
    3. Chemical Brothers
    4. Al Hirt
    5. Frank Sinatra
    6. Fiarport Convention
    7. Beck
    8. Beethoven
    9. Dylan
    10. Davis
    11. Nightwish
    12. Zappa
    13. Dead
  • Tears of Stone by The Chieftains

    Tears of Stone 

     Tears of Stone by The Chieftains is a great collaboration album with Irish Super Stars singing with Female Singers from various traditions. Mostly Folk–but some Jazz & World musicians sneaking in. A fun record with a great beat–the kids love to dance to anything Irish.

  • Bad Religion @ House of Blues


    I went to this show with Andrew and Travis. Dad’s of some of Kate’s friends. We had a bang up good time.

    Lots of stuff from Suffer, I really liked Generator (which suprised me), new songs went over well. I left humming 21st Century Digital Boy. A very good show.

    I spent most of my time crushed in the third row. I broke a shoe lace. It was fun.

  • Words To Live By

    1. Surrender to the Flow
    2. Take Care of Your Shoes
    3. Keep What’s Important
    4. Know Who’s Your Friend,
  • Fleet Foxes Linear Notes

    My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the puget sound somewhere near Seattle. I would be around two or three years old and we’re with a friend of mine from the neighborhood and his mom. Walking around among the driftwood looking for crabs. Even now, I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass I can even remember looking over at my friend and how his face looked when he smiled back at me Another memory that I’ll sometimes recall as my first memory is dressing up in the dead of winter as Jack London with tennis rackets on my feet and wearing my dad’s hiking pack, in the middle of summer after seeing Disney’s (terrible) version of White Fang. or There’s the memory of stealing my neighbor’s big wheel and riding it halfway down the block before getting caught and having to turn around defeated, or of wearing a fireman’s outfit while washing my parent’s car, or eating an orange popsicle from the ice cream truck.

    These are and have always been some of my most distinct and persistent memories of childhood, so i came as a disappointment to me when one day as a teenager I opened up a photo album and found pictures of each and every one of those memories. I didn’t have a single memory that didn’t belong to or somehow grow from pictures my parents had taken of me when I was growing up even the scenes I remember so clearly in my head are from the same angles as those photographs and I don’t really know what to to make of it. I’m going to guess that I’d seen all theses photographs at some point, forgotten they were just photographs and over time made them into my most tangible memories. That’s scary to me in a way.

    This leads me to something weird about the power that music has, it’s transportive ability, any time I hear a song or record that meant a lot to me at a certain moment or I was listening to at a distinct time, I’m instantly taken back to that place in full detail. Whenever I hear “feel Flows” by the Beach Boys, I’m taken straight to the back of my parents car on the way to my grandparents’ place, fourteen with Surf’s Up in my walkman and the cascade mountains going by in the window. Any song off Radiohead’s Kid A brings back the sounds and atmosphere of the airport near Seatlle, from when we wee on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. “Crayon Angels” by Judee Sill is the whole winter of last year. And Brian Wilson’s Solo version of Surf’s up will take me back to driving my parent’s car around town alone at the age of 16 with the windows down at night.
    I can ascribe exact memories to songs by microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilson, and so many others, and it’s a form of recall that I can actually trust. There’s no visual element to complicate things, no chance of a planted memory that wasn’t actually supposed to be there and that is reassuring to me. Maybe I should be concerned that I’m alone in almost all these memories, but I guess I was just a private kid and music was a private experience for me. I can even remember the certain kind of darkness my room would have when I was in there alone listening to records. I can read a good book cover to cover and never once forget I’m sitting in the middle of a four slabs of drywall on a spring mattress in Seattle-same with movies and TV and anything else. I can listen to music and instantly be anywhere that song is trying to take me, music activates a certain mental freedom in a way that nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than found in the day-to-day world.

    Thanks you for listening to our band. We’ve made some mistakes and We’ll continue to do so. But we are happy to be making songs and would love the opportunity to continue to grow and change as the years pass by. It took us a long eight months of recording ourselves at home, recording piecemeal in studios, scrapping dozens of songs and starting over, and borrowing money and rooms from friends and family to make this record and it’s accompanying EP and we hope you enjoy it. Music is weird and cosmic thing, it’s own strange religion for Nonbelievers, and what a joy it is to make, in any form Also, Don’t trust your photographs.

    Warren Gamaliel Bancroft Winnipeg Harding
    Chicago, Illinois
    April 6th 2008

  • Rontgen–Symphony #3


    Cody and I listened to this early in the morning. I really enjoyed this work a lot–fun and full of energy. A great way to start the day.

  • Schumann–Sympony #3

    Cody and I listened to this early in the morning–it was bright and cheerful and we both really enjoyed it.

    The scores are available online here:
    http://imslp.org/index.php?title=Symphony_No.3,_Op.97_(Schumann,_Robert)&

    I do not know much about Schumann, but he evidently wrote this to be “popular” and it is–it is also short for having five movements–the last three all seem to go by very quickly. I found it to be a rather “natural” symphony, full of folk song qualities. A good listen.

  • OCMA’s Night at the Museum–9BeetStretch


    Here are my unedited notes from the event…

    I am at OCMA–9BetStretch it is @ 3:30 AM–the music is very lazy and drawn out and the first crescendo just passed. Also, my normal alarm just went off, I was thinking about the time I have spent here in the past–the music is very intense right now–I was once here with Diego–he talked about being thrown out of an old timers car–what insanity.

    The policy have just arrived. “We were told to come,” they say. The fact that the cops have come to check it out–the women in charge asked about the reason they came by–if they saw the light. “no, we were sent.” there is so much truth to that.

    My phone just went off with a Hello Mooto–man this an amazing sound scape–I really like this event & would like to add this to ubuweb–they will really enjoy this.

    I am very much paying more attention to the none musical moments in this–the actual art and the song is lost–there is very little humanity in the work and I become hungry for it–I really find myself craving the human. I find myself watching the sleepers. I find myself trying to eavesdrop. I am desperate for more sound and more vision.

    During the quiet periods there is a clear static.

    Deadlocked security girl just curled up next to sleeping man. A guy with boots. Next to his bed a very interesting couple.

    I did not see the police leave–a small elderly Asian woman just walked in–she has an awesome orange skirt.

    Dread Girl just got up and left.

    Orange skirt is with pudgy white guy. They are at the snack table, also there is more food. Orange skirt women is a volunteer and they leave. Orange skirt girl just apologized for talking.

    “I am sorry”

    “we were sent”

    “did you see the light”

    The things overheard–the fact of Beethoven’s deafness . The removal of humanity heard in this work. I am not sure what all of that means.

    Something that I find very interesting is that all of the notes overlap–the pitch does not stop and does not really step into the next pitch. The sounds just kind of morph & mutate into the next sound.

    I am feeling very lost in space. There are no clues as to where I am in the original work. A slensory[sic] strum[sic] along with some sort of timer to tell me which track that I am on would be very helpful–some way to keep the space organized.

    Music is in some sense the organization of time. One thing feels very organized and do not get the same–that live is any space at other–and it is not the frothy chaos of noise. A much more frightening chaos. Non human but also non found. I have this sense that there is a very little directorial agency is this work. I am not sure what that means, but the fact is that I am not hear this as priceless–not sure.

    Again, the static between the tracks. Like fire flies.

    I am still listening, but I have just found a copy of Art Forum.

    C H R I S K R A U S

    Torpor

    Blumandpoe.com has new murakami art.

    Is there any sense of nostalgia–does the work share any issues of memory are of the times I cried to do was recognize the work. Where are we in the piece. I am at the start of the fourth movement–really, I do not recognize it at all.

    Sunday from 12-4 There is the imagination celebration that is important.

    it is clear that the relation between work and daily activity had become more intimate [Art Forum]

    How do you take a picture of a musical event? How do you capture history in that context–the spa is not working in the complex so I do not need to hurry back home.

    It is no 5:00 AM and time for me to head over the swim team. I hope that Byron comes. I also hope that we can take Tim who had bike crash. It would be good. I liked this.

  • Phish 7/6/98 Lucerna Theatre Prague, CZE


    This is a rocking good time–I am really enjoying this show a lot. I need more hippie rock in my life these days & this nicely fits the bill. The Ghost is huge and the second set has a lot of very good stuff.