Tag: Book

  • Complain, Curse, Crumple

    A friend of mine, who is an EMT, says that people at restaurants choke more often than you’d imagine. According to him, the real danger isn’t choking, it’s the bathroom. Because the moment people get a chicken wing lodged in their throats, the do a curious thing: They use the last of their oxygen to politely remove themselves to the bathroom, far away from anyone who might be able to help Heimlich it out.

    IF at any point you start having difficulty with your novel, the worst thing you can do is suffer silently. Complain in great detail to your support team and anyone else who will listen.

    Curse your characters and their mothers. Crumple up this card and hurl it in the trash. Let the frustration out. You’ll be surprised at how much clearer your writing is after a good venting.

  • Skeletons in the Closet

    So many of the things we take as a given in everyday life were actually the result of a bitter struggle between two opposing forces. Take, for example, the custom of saying “Hello?” when answering the phone. It seems like a natural extension of a face-to-face conversation, right? I telephone inventor Alexander Graham Bell had had his way, though, we’d all be saying “Ahoy, ahoy” when our cell phone rings. He thought that the nautical salutation was more fitting, and he was disgruntled that the plainer “hello” suggested by inventor Thomas Alva Edison caught on instead.

    Today, use part of your writing session to explore a given about your protagonist’s life or personality, and reveal one of the surprisings struggles that brought him or her to their current state.

  • Go Wild

    Weird fact: Before Jerry Springer launched his brawling freak show on daytime TV, he was a serious progressive politician and highly respected mayor of Cincinnati. In his heyday, many Ohioans even saw him as a likely candidate for the U.S. presidency. As you begin worrying that you might be pushing the bounds of believability for some of your characters, remember Jerry and the countless other real-life stories you’ve heard that make the wildest fiction pale by comparison.

    Don’t be afraid to leverage the power of unlikely coincidences and unbelievable occurrences. Nothing could be more true to life.

  • Burrow Mercilessly

    One of the best ways to learn to do something is to emulate those whose work you admire.

    The treat (and task) for today is to drop by the bookstore and pick up a novel by an author whose voice you’ve always loved. Read the first few pages of you purchase before you start writing, and pick out the methods the writer uses to create the mood you find so appealing.

    Is it the folksy vocabulary and informal writing style? The electric buzz of clipped, declarative sentences? Or the poetic, lyrical style of flowing sentences and sensual adjectives? Whatever it is, borrow the elements you love and use them throughout today’s writing session.

  • Let Your Fingers Do the Naming

    Demographers have been noting the decreasing size of families in industrialized nations for decades. They pin it on everything from rising education rates among women to the decrease in family famring. But I know the real culprit: With skyrocketing number of baby names to pick from, would-e parents avoid having children because they can’t decide what to name the things.

    As you birth your cast of characters this week, you can reduce the naming stress by simply borrowing monikers from the Great Library of Character Names. It’s published annually by your phone company; look for the large white book on your shelf next to the Yello Pages.

  • Aim Low

    One of my favorite books is called Rules of Thumb 2. The volume offers thousands of guidelines for any number of essential day-to-day activities, such as properly estimating a submerged crocodile’s length and surviving a pistol duel. The dueling hint was submitted by historian Jim Barber, who writes: “When dueling with firearms, always aim lower than your opponent’s vital area–to pierce the heart, aim at the knees.” This is something you’d do well to keep in mind in these early days of Week One.

    Abandon the stultifying notion of brilliance and aim instead fro the low mark of completion. It’ll take the pressure off of you, which will allow your writing to become looser and more ambitious, paradoxically raising the quality of your book. It’s Barber’s law: Aiming low is the best way to succeed.

  • Create your clay

    Writing a novel is like working with clay. You first create a rough shape, then massage that shape into something beautiful, such as an ashtray or a fearsome army of worms. Unlike potters, though, who can simply buy clay at the art supply store, novelists have to pull off the supernatural feat of creating their clay with their minds. It’s an amazing accomplishment, really, and it’s also why postponing judgment of your work until the end of your first draft is so important. What you started producing yesterday is noveling clay–valuable, essential, and invariably lumpy. Its beauty will grow as you work it.

  • Green lights, from here to the horizon

    The first day. A blank page. And a slight panic about starting the book off on the right foot. But you know what? There are no wrong feet. Take a tip from freewheeling graphic design guru Bruce Mau on teh subject of beginnings:

    “Not knowing where to begin is a common for of paralysis. Begin anywhere.”

  • The Road


    This is a great book.

    The ability to create a great sentence is obvious from the start. The use of punctuation, paragraph, and chapter may be some of the best I have ever seen.

    Themes are developed and jammed on for incredibly long periods of time without becoming repetitive or even obvious.

    An amazingly fun read!

  • Sacred Marriage


    “God made marriage to make us holy, not to make us happy.” is the theme of this book.

    I got this book to work on the topic of Marriage (the M I use in my personal focus study). I ended up liking it a lot–as a christian marriage overview. There is lots of good stuff on service, some strong examples of working marriages, lots of honesty, a good biblical foundation, and in general it is an easy read.

    The part about the need to have sexual release in order to strengthen ones meditative practice was very good. The discussion of the need for confession was good. The idea of focusing on the Married Saints rather than the Holy Isolator was also refreshing.